photograph Newest update date Oldest update date Newest production year Oldest production year [Event Report] Akiko Ashizawa x Hiroshi Yamazaki: How a Movie is Made: A Night Talk with a Cinematographer [CINEMORE ACADEMY Vol.30]2024.04.04CINEMORE Editorial DepartmentSave to Favorites[Talk event] Akiko Ashizawa x Yutaka Yamazaki This is how movies are made A night to talk with the cinematographer [CINEMORE ACADEMY]2023.10.21CINEMORE Editorial DepartmentSave to Favorites"The Pass: The Last The Samurai" Director: Takashi Koizumi × Cinematographer: Masaharu Ueda × Editor: Hideto Aga Create what you want to photograph properly [Director's Interview Vol.218]2022.06.22Fumio KodaSave to Favorites"Omokage" Director Rodrigo Sorogoyen I want everyone to go to movie theaters and support movie culture [Director's Interview Vol.88]2020.10.22CINEMORE Editorial DepartmentSave to FavoritesWhat does the future hold for film directors? “Midnight Swan” director Eiji Uchida talks about “the reality of the Japanese film industry” [CINEMORE ACADEMY Vol.8]2020.09.26SYOSave to Favorites"Midnight Swan" Director Eiji Uchida I want to give back to the movie that saved me [Director's Interview Vol.79]2020.09.24Fumio KodaSave to Favorites[CINEMORE ACADEMY Vol.7] How to make the movie “The Brightest Roof in the Universe” Compilation2020.09.04CINEMORE Editorial DepartmentSave to Favorites[CINEMORE ACADEMY Vol.6] Music edition How to make the movie “The Brightest Roof in the Universe”2020.09.02SYOSave to Favorites``Soiree'' Nijiro Murakami x Yu Imou The ``misalignment'' with the audience is interesting. Evolving acting theory [Actor's Interview Vol.6]2020.08.28SYOSave to Favorites``Koshien: Field of Dreams'' Director Emma Yamazaki After returning from New York, I saw high school baseball as a microcosm of Japanese society. [Director's Interview Vol.73]2020.08.27Fumio KodaSave to Favorites[CINEMORE ACADEMY Vol.5] Edited edition How to make the movie “The Brightest Roof in the Universe”2020.08.20SYOSave to FavoritesTalent shines even in “Insomnia” as a “director for hire”! The appeal of the genius Nolan's masterpiece thriller2020.08.20Soma studiesSave to FavoritesIsabelle Huppert ``Portugal, End of Summer'' It's not that she plays the role out of sympathy. That's my way. [Actor's Interview Vol.5]2020.08.14Hiroaki SaitoSave to Favorites[CINEMORE ACADEMY Vol.4] Filming How to make the movie “The Brightest Roof in the Universe”2020.07.25SYOSave to FavoritesAfter all, I like filming Outsider. ``MOTHER'' Director Tatsushi Omori [Director's Interview Vol.66]2020.07.03Fumio KodaSave to FavoritesStanding up for justice is a fundamental duty as a human being. ``The Collini Affair'' directed by Marco Kreuzpaintner [Director's Interview Vol.59]2020.06.12CINEMORE Editorial DepartmentSave to Favorites[CINEMORE ACADEMY Vol.1] Project edition How to make the movie “The Brightest Roof in the Universe”2020.05.20SYOSave to FavoritesThe key shooting style is to have the camera in the background of the story. Director of Photography Roger Deakins "1917" [Director's Interview Vol.54]2020.02.20Watanabe MakiSave to FavoritesI want to turn children's imagination into images. Director Daishi Okuyama “I Hate Jesus” [Director’s Interview Vol.51]2020.01.17Fumio KodaSave to Favorites“Collateral” A sensual night in LA captured in groundbreaking digital photography2019.05.13Naoto MoriSave to Favorites
[Event Report] Akiko Ashizawa x Hiroshi Yamazaki: How a Movie is Made: A Night Talk with a Cinematographer [CINEMORE ACADEMY Vol.30]2024.04.04CINEMORE Editorial DepartmentSave to Favorites
[Talk event] Akiko Ashizawa x Yutaka Yamazaki This is how movies are made A night to talk with the cinematographer [CINEMORE ACADEMY]2023.10.21CINEMORE Editorial DepartmentSave to Favorites
"The Pass: The Last The Samurai" Director: Takashi Koizumi × Cinematographer: Masaharu Ueda × Editor: Hideto Aga Create what you want to photograph properly [Director's Interview Vol.218]2022.06.22Fumio KodaSave to Favorites
"Omokage" Director Rodrigo Sorogoyen I want everyone to go to movie theaters and support movie culture [Director's Interview Vol.88]2020.10.22CINEMORE Editorial DepartmentSave to Favorites
What does the future hold for film directors? “Midnight Swan” director Eiji Uchida talks about “the reality of the Japanese film industry” [CINEMORE ACADEMY Vol.8]2020.09.26SYOSave to Favorites
"Midnight Swan" Director Eiji Uchida I want to give back to the movie that saved me [Director's Interview Vol.79]2020.09.24Fumio KodaSave to Favorites
[CINEMORE ACADEMY Vol.7] How to make the movie “The Brightest Roof in the Universe” Compilation2020.09.04CINEMORE Editorial DepartmentSave to Favorites
[CINEMORE ACADEMY Vol.6] Music edition How to make the movie “The Brightest Roof in the Universe”2020.09.02SYOSave to Favorites
``Soiree'' Nijiro Murakami x Yu Imou The ``misalignment'' with the audience is interesting. Evolving acting theory [Actor's Interview Vol.6]2020.08.28SYOSave to Favorites
``Koshien: Field of Dreams'' Director Emma Yamazaki After returning from New York, I saw high school baseball as a microcosm of Japanese society. [Director's Interview Vol.73]2020.08.27Fumio KodaSave to Favorites
[CINEMORE ACADEMY Vol.5] Edited edition How to make the movie “The Brightest Roof in the Universe”2020.08.20SYOSave to Favorites
Talent shines even in “Insomnia” as a “director for hire”! The appeal of the genius Nolan's masterpiece thriller2020.08.20Soma studiesSave to Favorites
Isabelle Huppert ``Portugal, End of Summer'' It's not that she plays the role out of sympathy. That's my way. [Actor's Interview Vol.5]2020.08.14Hiroaki SaitoSave to Favorites
[CINEMORE ACADEMY Vol.4] Filming How to make the movie “The Brightest Roof in the Universe”2020.07.25SYOSave to Favorites
After all, I like filming Outsider. ``MOTHER'' Director Tatsushi Omori [Director's Interview Vol.66]2020.07.03Fumio KodaSave to Favorites
Standing up for justice is a fundamental duty as a human being. ``The Collini Affair'' directed by Marco Kreuzpaintner [Director's Interview Vol.59]2020.06.12CINEMORE Editorial DepartmentSave to Favorites
[CINEMORE ACADEMY Vol.1] Project edition How to make the movie “The Brightest Roof in the Universe”2020.05.20SYOSave to Favorites
The key shooting style is to have the camera in the background of the story. Director of Photography Roger Deakins "1917" [Director's Interview Vol.54]2020.02.20Watanabe MakiSave to Favorites
I want to turn children's imagination into images. Director Daishi Okuyama “I Hate Jesus” [Director’s Interview Vol.51]2020.01.17Fumio KodaSave to Favorites
“Collateral” A sensual night in LA captured in groundbreaking digital photography2019.05.13Naoto MoriSave to Favorites
