"La Traviata" What is Sofia's artistry that achieved a miraculous fusion of classics and classics?

“Marie Antoinette” gave rise to opera production

`` Marie Antoinette '' (2006), which reconnected Sophia with opera, is a girls' movie that vividly depicts the inside of Marie, who is considered to be an evil woman in history. It is completely different from traditional historical dramas. Already from the beginning, small guitars and drums are playing, and the lead actress, Kirsten Dunst, is receiving a beauty treatment and deliciously licking the cream next to her. The Day After he looks at the audience and laughs. From this point on, the audience is already hooked on Sophia's tricks, and we get to experience the whirlwind of history through Marie's eyes while touching the emotional landscape of a sensitive woman named Marie.

Furthermore, according to Sofia's production, not only the music, but also a light blue Converse sneaker that somehow appears among the many shoes lined up on the floor. This is her playfulness. Her unique characteristic is the boldness and taste that allows her to seamlessly create Converse and her days at Versailles in the 18th century on the same screen.

Of course, there are no guitar sounds or Converse in this version of "La Traviata," but on the other hand, Violetta's costumes designed by Valentino are, in a sense, even more timeless than the guitar or Converse. It can be said that it gives off a sense of presence. However, in Sofia's hands, Valentino's design (or commitment) does not stand out in the work at all, but rather is presented in perfect harmony with the surrounding elements, enhancing each other. That's surprising.

Using her natural sensibilities, Sophia uses exquisite command to ensure that every detail, including costumes, singing, acting, musical performance, and set design, ultimately boils down to the character's humanity and heightened emotions. There is. This skill may be exactly what Valentino discovered in Sofia, the "modern" talent for connecting every detail.

Sophia's authorship engraved in her first opera