``A Boy Who Wished to Be Okuda Tamio and a Girl Who Drove All Men Crazy World-wide'' I want to fall in love with magazine culture!

Who is the true villain: Kiko Mizuhara or Sakura Ando?

Now, the one who drives Koroki crazy is Akari, a press officer at a women's fashion brand. When they first meet, her cheerful, high-spirited smile and smile make Koroki fall in love at first sight, but when it comes to work, she is an extremely pushy person and is devilishly strict when it comes to the brand's demands. When she finds out that Koroki isn't managing things as she's asked, she scolds him mercilessly. What makes her tough is that she's not just a cutesy girl, and when Koroki gets annoyed that he can't get in touch with her, she dismisses him by saying, "I don't like angry people." Her lack of fawning makes her tough for men.

“A Boy Who Wished to Be Okuda Tamio and a Girl Who Drove All Men Crazy World-wide” (C) 2017 “Tamio Boy and the Girl Who Crazy” Production Committee

Looking at the comments on social media, opinions on the character of Akari are split down the middle, but everyone should be aware that there is also an evil woman in this movie.

Yes, that's Yuu Mikami, the popular columnist played by Sakura Ando.

He always submits incredibly interesting manuscripts, but the deadline is always right, making the editor's stomach churn. What's even worse is that he has no ill intentions, and he can't write a manuscript unless certain conditions are met. That being said, he meets the deadline, but he can't publish an uninteresting piece of writing. Editors are destined to be constantly torn apart by these two choices, and Koroki's overnight trip with Akari is also thrown into disarray because of Yuu's delay. After the preview, many writers must have reflected on their own misdeeds and reflected on them in their minds.

However, neither Shibuya Naokaku's original novel nor Oone Hitoshi's film ever denies or criticizes the character of Yu. Rather, the editor-in-chief criticizes Koroki for not supporting him to complete the manuscript on schedule. It is a sign of respect for people who create things from scratch. Oone Hitoshi's film is full of praise for "people who work," and it gives a boost to many working people.

Text: Yuka Kinbara (Kinbara Yuka)

Movie journalist. Currently writing for many media such as ``Kinema Junpo'', ``Soen'', ``Kettle'', and ``Haha no Tomo''. Her books include ``Broken Girl'' (Film Art Publishing), which examines girlhood and violence in movies. He has also contributed to ``100 American Films of the 1990s'' (Gijutsu Shimbunsha) and ``Asian Film Forest'' (Movie Map of the New Century) (Sakushasha). His works include ``Actors File Satoshi Tsumabuki'', ``Actors File Masatoshi Nagase'' (both published by Kinema Junposha), and ``Legendary Film Art Directors x Yohei Taneda'' (Space Shower Network), for which he was in charge of long interviews and composition.

Watch now

View work information

Official website: https://www.toho.co.jp/movie/lineup/tamioboy.html

(C)2017 “Minsei Boy and Crazy Girl” Production Committee

*Information as of October 2017 article publication.