INTERVIEW Newest update date Oldest update date Newest production year Oldest production year "Postman of Nagasaki" directed by Mika Kawase Documentary looking at the future through communication with the dead [Director's Interview Vol.226]2022.08.04Tetsuya InagakiSave to Favorites"Jurassic World: The New Ruler" Director Colin Trevorrow Wanted to Draw a Theme that Returned to the Origin [Director's Interview Vol.225]2022.07.29Hiroaki SaitoSave to Favorites“The Medium” Director Banjeong Pisantanakoon collaborates with the genius Na Hong-jin to create a “new horror movie” [Director's Interview Vol.224]2022.07.28Takatoshi InagakiSave to Favorites"Boiling Point" Director Philip Barantini's experience and determination to make a one-shot movie a success [Director's Interview Vol.223]2022.07.14Hiroaki SaitoSave to Favorites"Kokoro Amiko" Director Yusuke Morii "Just talk" without acting [Director's Interview Vol.222]2022.07.10Fumio KodaSave to Favorites"X" Director Ty West An ambitious film disguised as a traditional horror film, its theme is "passion for filmmaking" [Director's Interview Vol.221]2022.07.08Tetsuya InagakiSave to Favorites“The Disappearance” Director Hiro Kano What is needed is an absolutely unwavering “feeling” [Director's Interview Vol.220]2022.07.06Fumio KodaSave to Favorites"Elvis" Austin Butler A friend told him he should definitely play Elvis[Actor's Interview Vol.22]2022.06.29Hiroaki SaitoSave to Favorites"Baby Broker" Director Hirokazu Kore-eda First, what you think is interesting [Director's Interview Vol.219]2022.06.23Fumio KodaSave to Favorites"The Pass: The Last The Samurai" Director: Takashi Koizumi × Cinematographer: Masaharu Ueda × Editor: Hideto Aga Create what you want to photograph properly [Director's Interview Vol.218]2022.06.22Fumio KodaSave to Favorites"God Seeks something in return" Director Keisuke Yoshida I feel bad if I don't depict both the good and bad parts of humans [Director's Interview Vol.217]2022.06.22Akira MurayamaSave to Favorites"PLAN 75" Director Chie Hayakawa National trait of being complicit in an inhumane system without malice or awareness [Director's Interview Vol.216]2022.06.17Fumio KodaSave to FavoritesProducers gathering at the new BABEL LABEL, aiming for world standard planning and development [Director's Interview Vol.215]2022.06.17SYOSave to Favorites"We Are Adults" Director Takuya Kato once redefined the role of the camera, which is unconsciously aware of the audience's presence [Director's Interview Vol.214]2022.06.11Fumio KodaSave to Favorites"Soup and Ideology" Director Yang Yong-hee Depicts the moment when a mother's cooking transcends nation and ideology [Director's Interview Vol.213]2022.06.11Tetsuya InagakiSave to Favorites"Story of Film 111 Movie Trips" Director Mark Cousins Watching movies with the same feeling as when you were a child [Director's Interview Vol.212]2022.06.10Fumio KodaSave to Favorites"Winter Rose" Director Junji Sakamoto The most important thing to subtract is "actions and gestures" [Director's Interview Vol.211]2022.06.03Fumio KodaSave to Favorites"Top Gun: Maverick" Jerry Bruckheimer Producer There is no formula for a hit [Director's Interview Vol.210]2022.05.27Fumio KodaSave to Favorites"Sunday Without Return" Director Eva Jusson What is the "atmosphere of the times" created by collective trauma? [Director's Interview Vol.209]2022.05.27Fumio KodaSave to Favorites“Sing a Song! ~A singing voice that makes you smile~” Director Peter Cattaneo It’s difficult to show “sadness” in film [Director’s Interview Vol.208]2022.05.19Fumio KodaSave to Favorites
"Postman of Nagasaki" directed by Mika Kawase Documentary looking at the future through communication with the dead [Director's Interview Vol.226]2022.08.04Tetsuya InagakiSave to Favorites
"Jurassic World: The New Ruler" Director Colin Trevorrow Wanted to Draw a Theme that Returned to the Origin [Director's Interview Vol.225]2022.07.29Hiroaki SaitoSave to Favorites
“The Medium” Director Banjeong Pisantanakoon collaborates with the genius Na Hong-jin to create a “new horror movie” [Director's Interview Vol.224]2022.07.28Takatoshi InagakiSave to Favorites
"Boiling Point" Director Philip Barantini's experience and determination to make a one-shot movie a success [Director's Interview Vol.223]2022.07.14Hiroaki SaitoSave to Favorites
"Kokoro Amiko" Director Yusuke Morii "Just talk" without acting [Director's Interview Vol.222]2022.07.10Fumio KodaSave to Favorites
"X" Director Ty West An ambitious film disguised as a traditional horror film, its theme is "passion for filmmaking" [Director's Interview Vol.221]2022.07.08Tetsuya InagakiSave to Favorites
“The Disappearance” Director Hiro Kano What is needed is an absolutely unwavering “feeling” [Director's Interview Vol.220]2022.07.06Fumio KodaSave to Favorites
"Elvis" Austin Butler A friend told him he should definitely play Elvis[Actor's Interview Vol.22]2022.06.29Hiroaki SaitoSave to Favorites
"Baby Broker" Director Hirokazu Kore-eda First, what you think is interesting [Director's Interview Vol.219]2022.06.23Fumio KodaSave to Favorites
"The Pass: The Last The Samurai" Director: Takashi Koizumi × Cinematographer: Masaharu Ueda × Editor: Hideto Aga Create what you want to photograph properly [Director's Interview Vol.218]2022.06.22Fumio KodaSave to Favorites
"God Seeks something in return" Director Keisuke Yoshida I feel bad if I don't depict both the good and bad parts of humans [Director's Interview Vol.217]2022.06.22Akira MurayamaSave to Favorites
"PLAN 75" Director Chie Hayakawa National trait of being complicit in an inhumane system without malice or awareness [Director's Interview Vol.216]2022.06.17Fumio KodaSave to Favorites
Producers gathering at the new BABEL LABEL, aiming for world standard planning and development [Director's Interview Vol.215]2022.06.17SYOSave to Favorites
"We Are Adults" Director Takuya Kato once redefined the role of the camera, which is unconsciously aware of the audience's presence [Director's Interview Vol.214]2022.06.11Fumio KodaSave to Favorites
"Soup and Ideology" Director Yang Yong-hee Depicts the moment when a mother's cooking transcends nation and ideology [Director's Interview Vol.213]2022.06.11Tetsuya InagakiSave to Favorites
"Story of Film 111 Movie Trips" Director Mark Cousins Watching movies with the same feeling as when you were a child [Director's Interview Vol.212]2022.06.10Fumio KodaSave to Favorites
"Winter Rose" Director Junji Sakamoto The most important thing to subtract is "actions and gestures" [Director's Interview Vol.211]2022.06.03Fumio KodaSave to Favorites
"Top Gun: Maverick" Jerry Bruckheimer Producer There is no formula for a hit [Director's Interview Vol.210]2022.05.27Fumio KodaSave to Favorites
"Sunday Without Return" Director Eva Jusson What is the "atmosphere of the times" created by collective trauma? [Director's Interview Vol.209]2022.05.27Fumio KodaSave to Favorites
“Sing a Song! ~A singing voice that makes you smile~” Director Peter Cattaneo It’s difficult to show “sadness” in film [Director’s Interview Vol.208]2022.05.19Fumio KodaSave to Favorites