``New York, New York'' is a controversial film that almost ruined Scorsese's career.

"New York, New York" synopsis

Jimmy, a jazz trumpeter, and Francine, a jazz singer. The two met in New York on August 15, 1945, celebrating the end of the Pacific War. They were attracted to each other and got married, but differences in musical preferences and career conflicts cast a shadow on their marriage... .

Index

• Scorsese's Golden Age of Hollywood
• Re-creating the golden age of Hollywood filmmaking
• Endless improvisation that brought chaos to the filming set
• The biggest failure of Scorsese's career that brought him to rock bottom?
• Two masterpiece movies born from “New York, New York”

Scorsese's Golden Age of Hollywood

May 1976. At 33 years old, Martin Scorsese was at the first peak of a great career. `` Taxi Driver '' (1976), which is still talked about as a legend, won the top prize, the Palme d'Or, at the Cannes Film Festival.

Robert De Niro, who starred in the film, also won the Academy Award for Best Supporting Actor for `` The Godfather Part II '' (1974) and was once again becoming an actor in the spotlight in Hollywood. The two, who were on the verge of dropping a flying The Birds , were already working on a new project that would be their third collaboration. `` New York, New York '' (1977) is set against the backdrop of the rise and fall of Big band jazz in the 1940s and 1950s. This movie caused Scorsese to experience a huge crisis that plunged him into the depths of Inferno.

"New York, New York" preview

The first impetus was an article Scorsese saw in The Hollywood Reporter. Producer Irwin Winkler had purchased a script called `` New York, New York, '' which depicts the era of Big band jazz, and Scorsese approached him through his agent, saying, ``I'm interested and would like to read the script.'' Scorsese has a strong image of being a rock connoisseur, but since he was born in 1942, Big band jazz was his first musical experience, and it was also a Being There to recreate the musical films of the 1940s and 1950s, when he fell in love with the extravagant visuals and music. That's what I thought.

The days when major studios like MGM and Warner produced extravagant musical blockbusters are long gone. The Golden Age concept of Hollywood, in which star-studded film studios created dream worlds and offered audiences escapism, has become obsolete, and a younger generation of filmmakers has emerged who brutally confront real reality. Ta. Scorsese was also one of those who gained acclaim in this trend.

Scorsese's ambition was to revive the nearly extinct golden age of film musicals and incorporate the realist approach he had pioneered. Revisit the dream world you once admired and bring it back to life as something new by giving it a new breath. In film history, this may have been an attempt by the son who had killed his father to bring the corpse back to life by digging it up from the grave.

Re-creating the golden age of Hollywood filmmaking