“Baby Driver” is an unexpected fusion of car action and musical! What is the influence of 80's music movies on this groundbreaking idea? ?

More than 20 years have passed since the idea was conceived. A brilliant idea that finally came to fruition

Although this work is a highly original fusion of music, car action, and live human acts, the original idea dates back more than 20 years. At the time, director Edgar Wright was a young man in his 20s who had not yet produced any masterpieces. The idea of ​​``music'' and ``cars'' came to him. At first, it was just a simple ``seed'' that came to mind.

However, he continues to cherish that idea. As a result, Wright first attempted a chemical experiment in the PV for Mint Royal's "Blue Song," which he directed in 2003, testing out his early ideas. A prototype of ``Baby Driver'' has already appeared here, so if you have the time, please check it out.

Mint Royale - Blue Song

Based on the feedback we received here, we further strengthened the idea and story, expanded its roots, and expanded its branches.As a result, we created the best original script, rich in entertainment and worthy of the years it was laid down. completed.

In any world, people say things like, ``When I was young, I could do anything'' or ``I was fearless back then.'' It is true that the younger you are, the more flexible your ideas are, the more unconventional you are, and the more possibilities you have. On the other hand, as you get older and experience, you have more know-how, techniques, skills, budget, and friends to express your ideas, and it becomes easier to give shape to your ideas. Director Wright has now become more well-known and has the trust of investors and audiences. This will also be a big advantage.

The ``fresh creativity'' that comes from being young, and the ``power to make the impossible a reality'' that is only possible now that you have a successful career. In other words, this work is the result of an exquisite collaboration between Edgar in his 20s and Edgar in his 40s, combining their talents and timing.

Moreover, this is director Wright's first solo screenplay. It's wonderful to see how the past trademark of ``light conversational exchanges'' has been elevated to a completely new dimension, and the many productions that have no dialogue have come to fruition with lively originality. I hope that as many people as possible can enjoy this work, which is Wright's new innovation and masterpiece, and which is full of his confidence and determination as a filmmaker.

The inherited genes of “music” and “car action”