10 recommended movies starring Masaki Suda! Innocence like a puppy and aggression like a mad dog!

Masaki Suda is an extremely different person. In commercials and on the radio, he shows a carefree smile, but the moment he enters the world of movies, he reveals his wild side, like a rabid dog. Refreshing boyishness and dangerous glare. It is safe to say that he is an actor loved by the screen.

Born in 1993, Suda entered the entertainment industry after auditioning for new faces, and made his debut in ``Kamen Rider W'' in 2009. Since then, he has continued to appear in movies and dramas without interruption. One of his great strengths is that he can work in projects ranging from light entertainment blockbusters to deep art works, regardless of scale or genre (this is common to actors from the same agency, Topcoat, such as Tori Matsuzaka and Tomoya Nakamura). ).

What is interesting is that although he is a natural actor who shines in edgy works, he is also involved in multiple activities that go beyond acting. He is also actively involved in music activities, collaborating with amazarashi and Kenshi Yonezu. In the 2017 movie ``Kiseki: That Day's Sobito'', he performed with Ryo Narita, Ryusei Yokohama, and Harusuke Sugino under the name of the group ``Green Boys'', showing off his husky and easy-going voice. Masaki Suda is a new type of actor who expands the boundaries of existing actors.

Currently, in addition to appearing in the currently airing drama "MIU404," he is also starring in the movie "Ito," which is based on Miyuki Nakajima's songs, and "Asada-ke!" directed by Ryota Nakano, in which he co-stars with Kazunari Ninomiya and Satoshi Tsumabuki. '' and ``A Bouquet of Love'' by popular screenwriter Yuji Sakamoto, and many other popular works are on the waiting list.

This time, we will introduce 10 carefully selected movies in which Masaki Suda appears.

Index

• 1. “Cannibal” (13) Director: Shinji Aoyama 102 minutes
• 2. “The light shines only there” (14) Director: Miho Wu 120 minutes
• 3. “Destruction Babies” (16) Director: Tetsuya Mariko 108 minutes
• 4. “Setoutsumi” (16) Director: Tatsushi Omori 75 minutes
• 5. “Drowning Knife” (16) Director: Yuki Yamato 111 minutes
• 6. “Kiseki That Day in Sobito” (17) Director: Jun Kaneshige 111 minutes
• 7. “Teiichi no Kuni” (17) Director: Satoshi Nagai 118 minutes
• 8. “Ah, Wilderness” (17) Director: Yoshiyuki Kishi First part: 157 minutes Second part: 147 minutes
• 9. Just Being Alive is Love (2018) Director: Kosai Sekine 109 minutes
• 10. “Archimedes’ Great War” (19) Director: Takashi Yamazaki 130 minutes

1. “Cannibal” (13) Director: Shinji Aoyama 102 minutes

Suda got off to a good start after working as a ``rider actor'', which is the gateway to success for popular actors. While he appeared in many dramas and movies, it can be said that one movie determined his subsequent career. That is "cannibalism."

The director is Shinji Aoyama of ``EUREKA'' (2000), the screenplay is Haruhiko Arai of ``Vibrator'' (2003), and the original story is written by Shinya Tanaka's Akutagawa Prize-winning work, so the members are extremely talented writers. Suda won the main role through an audition (his gaze was said to have received high praise).

The setting is Shimonoseki, Yamaguchi Prefecture in 1986. A vivid depiction of the depressed, yet dangerous youth of a 17-year-old high school boy who lives with his father and his mistress. Suda did not hesitate to take on the challenges of famous actors such as Ken Mitsuishi, who played the father, and Yuko Tanaka, who played the mother, and also gave his all to the sex scenes. Suda's ``blueness'', which has not yet fully developed as an acting talent, brings an indescribable sense of reality, creating a writhing undulation throughout the story.

The daily life of a high school boy who is frightened that he shares the same blood as his violent father, but tries to resist the urges of sex and violence that rise up helplessly. The acting ensemble of Mitsuishi, who plays the role of a father with a unique obsequiousness, and Tanaka and Suda, who embody the overwhelming motherly nature of trying to make up for everything, is also a must-see.

In this work, which does not have a lot of dialogue, Suda brilliantly demonstrates his ``literary style'' in conveying emotions just by his appearance. His unique and unique filmography might not have been possible without this work.

Next is ``The light shines only there.''