Spielberg's pride as a filmmaker who continues to cause a revolution with ``Saving Saving Private Ryan''

Spielberg movie that pioneered ride attractions

Spielberg is a director who has been trying to control the audience's physical experience since the early days of his career, which is the same as what we can say about "ride attraction type movies". In the TV movie " Duel " (1971), which was released in theaters in Japan, he transformed a primitive suspense situation of "a driver blocked by a mysterious trailer" into a video, and put the viewer's perspective closely on the protagonist, and in the sequel " Jaws " (1975), he glued the audience's eyes to the screen with precise shocking depictions. And in " Indiana Jones and the Temple of Doom " (1984), he thoroughly improved the rhythm of the editing following George Lucas's wishes, providing the viewer with a literal ride situation, such as a roller coaster scene on a mine cart in a mine tunnel.

Furthermore, in later years, his style was given a semi-documentary look, inviting the audience to a more realistic visual experience. Depictions that are as subjective as if you were there, such as the slave abuse on the sailing ship Amistad in " Amistad " (1997) and the attack on Israeli athletes in the Olympic Village in " Munich " (2005), are sometimes inserted in a way that threatens to upset the balance of the film as a whole.

A production of “blood” that leaves a vivid meaning on the battlefield