“Sicario” Fiction and reality created by director Villeneuve and genius screenwriter Taylor Sheridan, who have a divine perspective

“Sicario” synopsis

Kate (Emily Blunt) is an elite FBI agent who is recruited into a special unit to take down a growing Mexican drug cartel. He is summoned by a special agent (Josh Brolin) and goes on a secret mission with a mysterious Colombian (Benicio Del Toro) to eliminate the Sonora Cartel, a drug organization based near the border. Confronted with an insane top-secret mission where she can't even track the movements of her friends, and a scene where people could easily lose their lives, Kate begins to lose track of the boundaries between good and evil. How far should we go to capture the drug cartel? Is there a legal way to conquer evil in a lawless world? In the face of a mysterious evil, what is the fate of the darkness that deepens the more we learn about it? --.

Index

• A monster of a “drug war movie” that makes you feel like you’ve been transported to another planet
• A sense of immersion that comes from not being able to understand the situation
• The Sicario fiction and reality drawn by genius screenwriter Sheridan

A monster of a “drug war movie” that makes you feel like you’ve been transported to another planet

There are many films, both fiction and documentaries, that use the "drug war" as a motif, but it is rare to find one that gives off an impression as bizarre as "Sicario" (2015). There is more than one reason for this, but first of all, the combination of image and sound is unusual. As the Japanese title means "border," the film is set in the border area between the United States and Mexico, and the desolate landscape is shown from a macro perspective as if it were on another planet.

“Sicario” (C) 2016 Lions Gate Entertainment Inc. All Rights Reserved.

Particularly striking is the bird's-eye view from directly above, reminiscent of "God's perspective." In addition to this film, this can be seen in many of Denis Villeneuve's films, including `` The Enemy '' (2014) and `` Blade Runner 2049 '' (2017), and it has almost become a trademark. Originally, drug wars are filled with greed and violence and take place on the ground, but Villeneuve's frequent use of bird's-eye views gives the film a coldness that makes it seem as if he were observing insects.

Of course, the film music by Johann Johansson, who collaborated with director Villeneuve on many of his films, is also extremely effective. By eliminating anything resembling a melody and introducing abstract sound that sounds like the rumbling of the earth, the audience feels as if they are being denied emotional empathy. If you cut out only the parts, it would be no surprise if people misunderstood it as a spectacle and mystical nature documentary.

A sense of immersion that comes from not being able to understand the situation